Shang Yang: Bad Landscape, By Wang Min'an

Pixy Liao: Not to Miss at PHOTOFAIRS Shanghai - Experimental Relationship, By Angie Kordic

Pixy Liao: This Photographer Subverts Gender Roles in an Intimate Series about Her Relationship, By Scott Indrisek

Ai Weiwei’s Small Exhibit Has Haunting Impact, By Joanne Briana-Gartner

Ravaged: Malaysian artist Nadiah Bamadhaj at Chambers Fine Art New York, by Junni Chen

Ai Weiwei Remembers the Sichuan Earthquake, Ten Years on, by Ai Weiwei

Pixy Yijun Liao, by Neil Wu

Xiaoze Xie presents his Dunhuang artwork, by Jessica Zhang

Painting with Needles—'Fu Xiaotong: Proliferation', by Carol Wang

Artists-activist Ai Weiwei to visit Provincetown in July, by Mark Shanahan

The Invisible, Ever-present Past: Taca Sui's Steles/Huang Project, by Daniel Greenberg

Confrontation and Disruption in a New Exhibition by Artist Xiaoze Xie, Interview with Omid Memarian

Yan Shanchun - West Lake II

Wang Gongyi's Solo Exhibition At Chambers Fine Art: Talk About Painting Degree Zero Again

Wang Dongling Interview

The Scale of Freedom | Wang Dongling: Contemporary Writing of Wild Spirit

Shang Yang: The Monologue of One Intellectual

Xiaoze Xie: Read All About It, Enduring Ephemera, by Kathleen Boyle

Pixy Liao: Trampling on Gender Stereotypes, by Alex Gobin

Xie Xiaoze: How Books Get Banned, by Kealey Boyd

Hong Hao: Beyond Boundaries, by Xi Xi

Roadside Picnic, by Mimi Wong

Yin Xiuzhen: Rich Fabrics, by Li Jun

Lam Tung Pang, by Nooshfar Afnan

Guo Hongwei: Plastic Heaven at Chambers Fine Art, by Alison Martin

Guo Hongwei: The Pre-existent Painting, by Barbara Pollack

Guo Hongwei: Mining Mineral Structures with Watercolor and Sediment, by Barbara Pollack

From Innovation to Provocation, China's Artists on a Global Path, by Holland Cotter

Yang Jiechang: The Whip, by Mimi Wong

Nuhua-Khora-Minimalism, Intersecting Notes on the Work of Fu Xiaotong, by Paul Gladston with Lynne Howarth-Gladston

The Portrait, or the Long Road to Emptiness - Yang Jiechang in Dialogue with Heinz-Norbert Jocks

Transitions: Dong Yuan, Lam Tung-Pang, and Lao Tongli, by Alex Woodend

Fu Xiaotong: English Title, by Wendy Weng

“Fragmentation”: identity and the everyday with Lam Tung-pang – in conversation, by Valencia Tong

Ai Weiwei: Resisting boycott calls in order to have ‘voice heard’, by Mike Smith

Endurance: New Works by Xie Xiaoze, by Aida Amer

Close Reading: Xie Xiaoze paints blown-up books, by Edward M. Epstein

Fata Morgana: GAMA's fantastical creatures - in conversation, by Nooshfar Afnan

Christophe Mao interviewed by BBC News at Art Basel Hong Kong

Wang Gongyi | Yan Shanchun: Two Artists About West Lake, by Zou Ping

Surfaced: Ho Sin Tung, by Mimi Wong

Wang Dongling: Scene, by Wu Hung

Cui Fei: Focus, by Jerome Silbergeld

Wang Gongyi & Yan Shanchun: Works Critically Acclaimed, Interview with Wang Gongyi, Yan Shanchun and Wang Lin

SinoVision interviews Ho Sintung

PIXY LIAO EXPERIMENTAL RELATIONSHIP, by Daniel Sul

In Perspective: Lin Yan, Song Xin and Cui Fei, by Louis Soulard

Perspectives On Art And Nature: Lin Yan, Song Xin, and Cui Fei, by Robert C. Morgan

Ho Sintung: Dusty Landscape, by Nooshfar Afnan

Wu Jian'an: "Omens" at Beijing Minsheng Art Museum, by Rebecca Close

Broken: GAMA

Wang Dongling: Ink Artist Shows 'Chaos Calligraphy' During Exhibition, By Lin Qi

"Ho Sintung: Dusty Landscape" Beijing Hit List, by Alessandro Rolandi

Gender Dynamics, by David Yen

Wang Dongling: Different Strokes, By Sara Harowitz

Guo Hongwei: Plant: Exploring the Botanical World

Artists' Artists - Guo Hongwei

"Tsumari Story": RongRong & inri at Chambers Fine Art, by C.A. Xuan Mai Ardia

Monkey King: Wu Jian'an, by Su Yin

Ai Weiwei and Andy Warhol, Together Again, by Andrew Jacobs

Yan Shanchun: The Natural State

Chinese Artist Challenges Gender Identities through 'Experimental Relationship', by Nikki Tripp

Portfolio: Guo Hongwei

Lu Shengzhong

Ein Fantasietext aus 400 Rebzweiglein, by Ev Manz

Zhao Zhao: A False Sense of Security, by Hannah Hodson

The Real Thing, by Lara Atallah

The Etchings of Yan Shanchun, by John Tancock